hip-hop怎样练solo啊？（淮南精舞堂2010级暑期班学员。）

才学一个月的hiphop，学会几个套路。但SOLO就是放不开！！

多听音乐找感觉，hiphop=音乐+基础+感觉，不要被动作局限，只要律动不断配合音乐做自己想做的动作

HI，强烈建议不要急着SOLO,以后绝对有你的好果子吃的，基础不稳想学走路的只会让你感觉跳舞是个难学的事，要多练习基本功，基本的元素，套路只是让你以后SOLO有动作。

 还有上面那大大讲的是POPPIN不是HIP HOP

Hip Hop Hip hop music is a style of popular music. It is composed of two main components: rapping (MC'ing) and DJing (audio mixing and scratching); along with breakdancing and graffiti (tagging), these are the four elements of hip hop, a cultural movement which began among African Americans and Puerto Ricans in New York City in the early 1970s. The terms rap and rap music are often used to describe hip hop music; the terms rap music and hip hop music are generally synonymous, although rap music is usually not used to describe hip hop songs without vocals. Many hip hop heads, as participants of the culture are called, arbitrarily separate the two terms by labeling the more commercial recordings as rap music, and the more underground-based recordings as hip hop music. Hip hop music is also erroneously used at times to describe related genres of music, such as contemporary R&B, which are primarily sung; while singing is commonly present in hip-hop songs, the main vocal (assuming there are vocals) is almost always rapped. Most typically, hip hop consists of one or more rappers who chant semi-autobiographic tales, often relating to a fictionalized counterpart, in an intensely rhythmic lyrical form, making abundant use of techniques like assonance, alliteration, and rhyme. The rapper is accompanied by an instrumental track, usually referred to as a "beat" because of the emphasis on rhythm, performed by a DJ, a record producer, or one or more instrumentalists. This beat is often created using a sample of the percussion break of another song, usually a funk, rock, or soul recording. In addition to the beat, other sounds are often sampled, synthesized, or performed. Sometimes, a track can be made up of just the beat by itself, as a showcase of the skills of the DJ or producer. Hip hop arose in New York City when DJs began isolating the percussion break from funk or disco songs. The role of the emcee (MC) arose to introduce the DJ and the music, and to keep the audience excited. The MCs began by speaking between songs, giving exhortations to dance, greetings to audience members, jokes and anecdotes. Eventually, this practice came to be more stylized, and was known as rapping. By 1979, hip hop had become a commercially recorded music genre, and began to enter the American mainstream. It also began its spread across the world. In the 1990s, a form called gangsta rap became a major part of American music, causing significant controversy over lyrics which were perceived as promoting violence, promiscuity, drug use and misogyny. Nevertheless, by the beginning of the 2000s, hip hop was a staple of popular music charts and was being performed in many styles across the world. Characteristics Hip hop is a cultural movement, of which music is a part (as are graffiti and breakdancing). The music is itself composed of two parts, rapping, the delivery of swift, highly rhythmic and lyrical vocals, and DJing, the production of instrumentation either through sampling, instrumentation, turntablism or beatboxing. Another important factor of Hip-Hop music is the fashion that originated along with the music. The fashion was a representation of the music. Rhythmic structure Beats (though not necessarily raps) in hip hop are almost always in 4/4 time signature. At its rhythmic core, hip hop swings: instead of a straight 4/4 count (pop music; rock 'n' roll; etc.), hip hop is based on an anticipated feel somewhat similar to the "swing" emphasis found in jazz beats. Like the triplet emphasis in swing, hip hop's rhythm is subtle, rarely written as it sounds (4/4 basic; the drummer adds the hip hop interpretation) and is often played in an almost "late" or laid back way. This style was innovated predominantly in soul and funk music, where beats and thematic music were repeated for the duration of tracks. In the 1960s and 1970s, James Brown (known as The Godfather of Soul) talked, sung, and screamed much as MCs do today. This musical style provides the perfect platform for MCs to rhyme. Hip hop music generally caters to the MC for this reason, amplifying the importance of lyrical and delivering prowess. Instrumental hip hop is perhaps the lone exception to this rule. In this hip hop subgenre, DJs and producers are free to experiment with creating instrumental tracks. While they may mix in sampled rap vocals, they are not bound by the need to cater to an MC. Instrumentation & production The instrumentation of hip-hop is descended from disco, funk, and R&B, both in the sound systems and records sampled, and session musicians and their instrumentation, used. Disco and club DJs' use of mixing originated from the need to have continuous music and thus smooth transitions between tracks, while in hip hop Kool DJ Herc originated the practice of isolating and extending only the break, basically short percussion solo interludes, by mixing between two copies of the same record, as this was, according to Afrika Bambaataa the "certain part of the record that everybody waits for -- they just let their inner self go and get wild." (Toop, 1991) James Brown, Bob James, and Parliament -- among many others -- have long been popular sources for breaks. Over this one could and did add instrumental parts from other records, frequently as horn punches (ibid). Thus the instrumentation of early sampled or sound system-based hip hop is the same as funk, disco, or rock: vocals, guitar, keyboards, bass, drums and percussion. Although hip hop's original music consisted solely of the DJ's breakbeats and other vinyl record pieces, the advent of the drum machine allowed hip hop musicians to develop partially original scores. Drum set sounds could be played either over the music from vinyl records or by themselves. The importance of quality drum sequences became the most important focus of hip hop musicians because these rhythms (beats) were the most danceable part. Consequently, drum machines were equipped to produce strong kick sounds with powerful (sine) bass behind them. This helped emulate the very well-engineered drum solos on old funk, soul and rock albums from the late 1960s and early to mid 1970s. Drum machines had a limited array of predetermined sounds, including hi-hats, snares, toms, and kick drums. The introduction of the digital sampler changed the way hip hop was produced. A sampler can digitally record and save small sound clips from any output device, such as a turntable. Producers were able to sample their own drum sounds from the records they grew up listening to. Perhaps more importantly, they could sample horns, upright basses, guitars and pianos to play along with their drums. Hip hop had finally gathered its complete band. What many fail to recognize is the distinct importance of the gritty, choppy sound of hip hop. The music seldom sounds like other organic forms. Even hip hop crews that have their own band often use samples and the gritty, choppy texture of machines to create their beats in the studio as featured on their album (when performing live, they usually recreate this sound with a full band). One popular misconception is that samples and drum machines exist in hip hop music as merely a lazy substitute for a real band; in fact, hip hop producers obsess over the timbre, texture and frequency of specific samples and drum machine sounds. A session drummer playing James Brown's Funky Drummer break is no substitute for the sampled break from the original record. However, in recent years, there has been a tendency towards original instrumental compositions in hip hop from the likes of artists and producers such as Timbaland, OutKast, The Roots and The Neptunes. Roots of hip hop music