帮我翻译一下这篇介绍中国功夫的文章

Chinese Gongfu is a very important and unique form of Chinese culture. It can be viewed as both a popular and a classical art: today it is very common and widespread; on the other hand, it has had a very long developed history. Not only did it not decline and disappear as many other facets of pre-modern Chinese culture, it even seems to be gaining much recognition, both in its actual practice and in its relative literature, thetics, philosophy, psychology, etc. are more and more intriguing.

Chinese Gongfu possesses an important and extensive cross-cultural significance. Western culture has, of course, a great influence on the path of Chinese modernization.
Meanwhile Chinese culture is also making an impact on Western culture; the popularity of Chinese Gongfu, including Taijiquan, Qigong, etc., is not limited to China but has become a worldwide phenomenon; it thus is a typical example of this reverse impact. As it includes different aspects such as fighting exercise and health care, daily life and academic study, natural state and social scope, research on Gongfu could shed a wholly new light on these interrelated phenomena in an intercultural context.

think that, if the research sets out from aesthetics perspective, people can more easily comprehend the characters of the popularity and fashion of Gongfu as "art"; and if Gongfu research starts with the aesthetic method, namely "perceptually comprehensive method", the profoundness namely multi-gradation and multi-orientation of its intercultural significance can be explained in a orrespondingly simply way; thus the research on Gongfu will more effectively oppose the "cultural centered views", so as to raise a new subject and even open up a new path for modern international academia.

1.Beauty of form of Wushu and Chinese Art Many westerners find the action and routines of Chinese Wushu (Martial Art) to be quite spectacular, but also ask if a real Gongfu fight would look so impressive. This really involves a very interesting problem: Chinese Gongfu has not only practical goals, but also embodies the pursuit and appreciation of beauty.

2.Beauty of mood of Qigong and the wisdom of Taoist School and Chan sect Chinese Gongfu includes both Wushu and Qigong. In fact, the

higher level of most of Wushu (martial arts) is Qigong. Qigong exercise has created aesthetic miracles of life and culture, which modern sports cannot hope to reach. 3. Being beauty of Gongfu and Tao-ontological aesthetics Gongfu-aesthetics studies both the outside beauty of form and the inner beauty of spirit. Moreover, it may involve ontology (being philosophy) of beauty of life.

中国功夫是中华文化的一个非常重要和独特的形式。它可以被视为既是流行和古典艺术：今天，是非常普遍和广泛，另一方面，它有一个很长的发展历史。它不仅没有下降，消失和许多其他方面的前现代中华文化，它甚至似乎越来越多的承认，在实际实践中并在其相对文学，thetics，哲学，心理学等，越来越更耐人寻味。

中国功夫具有重要和广泛的跨文化意义。西方文化，当然，对中国现代化道路有很大影响。
同时中华文化也正在对西方文化的影响，对中国功夫，包括太极拳，气功等的普及，不仅限于中国，但已成为一个世界性的现象，因此，它是这个反向影响的典型例子。因为它包括诸如战斗功夫运动和保健，生活和学术研究，自然状态和社会的范围，研究有助于了解这些相互关联的现象，在一个完全不同文化背景的不同方面的新情况。

认为，如果这项研究制定了从美学的角度来看，人们可以更容易地理解为“艺术”的流行和时尚的功夫人物;如果功夫与美学研究的方法开始，即“感性的综合方法”，这一深度即多层次和多方向的文化意义，可以解释在orrespondingly简单的方式，因此对功夫研究会更有效地反对“文化中心的意见”，以提出新的课题，甚至打开一个新的路径现代国际学术界。

对中国武术和艺术形式1.Beauty许多西方人认为的行动和中国武术（武术），相当壮观，例程还要问，如果一个真正的功夫战斗看起来如此令人印象深刻。这确实是一个非常有趣的问题：中国功夫不仅实际的目标，而且也体现了追求和审美。

2.Beauty对气功的心情与道家和禅宗中国功夫的智慧包括了武术和气功。事实上，

较高的水平，大多数武术（）是武术气功。气功运动，造就了生活和文化，现代体育不能指望达到审美创造奇迹。 3。作为美丽的功夫和道本体论美学功夫，美学研究，无论是外部形式的美和内在美的精神。此外，这可能包括本体（即哲学）生活之美。