弗兰肯斯坦的主要内容

不少于250个单词，用英语！英语！译文也要！题目也要！

科技进步的另一面，双刃剑，事情的变化出乎意料，最终走向古希腊式的悲剧结局。

Modern readers must jump through a number of hoops to enjoy this legendary novel. Written between 1816 and 1818, this is very much a novel of its era, and both language and ideas about plot are quite different from those of today. That aside, and unlike such contemporaries as Jane Austen, author Mary Shelly has never been greatly admired for her literary style, which is often awkward. But perhaps the biggest hurdle is that of our own expectations: while it certainly sent icy chills down the spines of 19th Century readers, FRANKENSTEIN is not a horror novel per se. While Mary Shelly might have been stylistically weak, her story was not. Nothing like it had been written before, and the concept of a student endowing life upon a humanoid creature cobbled together from charnel house parts was unexpectedly shocking to the reading public. But even more shocking were the ideas that Shelly brought to the story. Having created this thing in his own image, what--if anything--does the creator owe it? And in posing this question, Shelly very deliberately raises her novel to an even more complex level: this is not merely the conflict of man and his creation, but also a questioning of God and his responsibility toward his creation. In some respects, the book is written like the famous philosophical "dialogues" of the ancient world: a counterpoint of questions and arguments that do battle for the reader's acceptance. More than anything else, FRANKENSTEIN is a novel of ethics and of ideas about ideas, with Mary Shelly's themes arrayed in multiple layers throughout: God, self, society, science; responsibility to self, to society, to the things we bring to society, to the truth; life, integrity, and death--these are the ideas and issues that predominate the book, and any one expecting a horror novel pure and simple is out of luck. Mary Shelly is a rare example of a writer whose ideas clearly outstrip her literary skill--but whose ideas are so powerful that they transcend her literary limitations and continue to resonate today. And indeed, as science continues to advance, it could not be otherwise so. Mary Shelly could not see into the future of DNA research, laboratory-grown tissues, test-tube babies and the like--but between 1816 and 1818 she wrote a book about the ethical dilemmas that swirl around them. And for all its flaws, FRANKENSTEIN is perhaps even more relevant today than it was over a hundred and fifty years ago.

弗兰肯斯坦 现代读者的跳转必须通过一系列箍享受这个传奇小说。书面之间的1816年和1818年，这是十分一种新型的时代，双方在语言和思想的阴谋有很大的不同，从那些今天。此外，和不同的，例如同时代人作为简奥斯丁，作者玛丽雪莱从来没有非常崇拜她的文学风格，这常常是尴尬。但也许最大的障碍是我们自己的期望：虽然它肯定发出冰冷冷下来，刺19世纪的读者，弗兰肯斯坦是不是恐怖小说的本身。 而玛丽雪莱可能已风格薄弱，她的故事并不是这样。完全不像它被写了之前，和概念，一名学生赋予生命后，一人造物铺着鹅卵石的一起从"charnel"众议院部分，出人意料地令人震惊的向公众阅读。但更令人吃惊的人的想法谢利带来的故事。创造了这件事在他自己的形象，什么-如果有什么-是否创作者有责任呢？并在这一问题，谢利非常刻意引起她的小说，以一个更复杂的水平：这不仅是冲突的男子和他的创作，但也质疑上帝和他的责任，对他的创作。 在某些方面，这本书是这样写的著名的哲学“对话”的古代世界：一个科学论据的问题和论据，这样的战斗，为读者的接受。比任何事情都重要，弗兰肯斯坦是一种新型的职业道德和思想观念，与玛丽雪莱的主题阵列在多层整个：上帝，自我，社会，科学;责任自我，向社会，向我们的东西，带来的社会，向真理;生活，完整性和死亡-这些都是想法和问题，主要这本书，和任何一个预期的恐怖小说单纯e799bee5baa6e78988e69d8331333236376563，简单的是出于运气。 玛丽雪莱是一种罕见的例子，一个作家的思想显然超出她的文学技巧-但他们的想法是如此强大，他们超越她的文学的局限性，并继续今天的共鸣。事实上，随着科学继续前进，它不能，否则如此。玛丽雪莱不能见到未来的DNA研究，实验室生长的组织，测试试管婴儿和类似的-但与1 816年和1818年，她写了一本书有关的伦理困境旋流他们周围。和所有的缺陷，弗兰肯斯坦是，或许更在今天比它有超过一百名和50年前。