新编英美概况教程CHAPTER3课文翻译

新编英美概况教程CHAPTER3课文翻译

景德镇青花瓷的东方文化审美价值初探 An Initial Exploration into Oriental Aesthetic Value of Jingdezhen Blue-White Glazed Chinaware 内容摘要 Abstract: 瓷器是中国古代的第五大发明，是中国对世界文化的伟大贡献。在人类文化发展史上，中国是世界上最先烧制出原始瓷器以及先后发明青釉瓷和白釉瓷的国家，也是创造了丰富多彩的色釉和釉上彩瓷的国家，而青花瓷器，可看作是中国瓷器的代表作品。它所代表的东方文化审美品格，在世界艺术史上也具有相当高的地位。 Chinaware is the fifth invention by ancient Chinese and another contribution to human civilization. China is the first country in the world to produce blue-glazed and white-glazed porcelain wares as well as color-glazed chinaware, in which the blue-white glazed ware are the most recognized for its elegance and oriental tastes. It is a symbol of Chinese art and a diamond of the art crown. 青花瓷属于陶瓷釉下彩装饰，它是以含钴的矿物原料为着色剂，在高温下烧成。据考古资料表明，早在唐宋时代中国就有青花瓷的烧造，但直至元代才在景德镇出现成熟的青花瓷器。青花瓷和青花的衍生品种，是中国元代至今的八百多年间，中国瓷器生产和外销的主流，是最能体现中国古代瓷业艺术成就的品种。 The blue-and-white porcelain is belongs the Underglaze Decoration ,which the colorant is based on a kind of cobalt mineral raw material, and then high temperature sintering. Archaeological evidence shows that there was a few blue-and-white porcelain appears as early as the Tang and Sung dynasties . But until the Yuan Dynasty it was shown with the mature technics in Jingdezhen. The derivatives of Blue and white porcelain is the major part of production and export since the Yuan Dynasty, which can most represent the variety and artistic achievements of ancient China . 本文主要通过对最能代表景德镇陶瓷文化精髓的青花瓷器的发展流向进行梳理，探讨其蕴含的东方文化审美价值。全文论证分为3章。 开篇为引言。从论题研究的背景出发，提出论题研究的目的、意义和论题研究的方法。 This paper sorts out the flow of development of blue-and-white porcelain, which can most represent the Jingdezhen ceramic cultural essence, and then probe into oriental tastes. The full text is divided into three chapters. Introduction is the beginning, Subject from the background , then raise the aim ,the significance and the methods of this topic. 第一章：论述了元青花瓷的起源和发展概况。其中分为二个部分：元青花的成功烧造和重大意义；元代青花瓷的装饰艺术。 Chapter 1 : The Origin and Development blue-and-white porcelain in Yuan Dynasty. It is divided into two parts: first of this chapter is the success and significance of blue-and-white porcelain in Yuan Dynasty, and the scend is The decorative arts of blue-and-white porcelain.. 第二章：通过明清青花瓷的发展概况，论述了明、清景德镇青花瓷的烧造成就及明清时期官窑和民窑在青花瓷烧造中的重要继承和发展。 Chapter 2 : Author elaborates on the achievements in Jingdezhen as well as the inheritance and development of porcelain, both folk Kiln and Official Kiln in Ming and Qing Dynasties. 第三章：从明清青花艺术风格探寻中，通过对民窑青花、官窑青花艺术的分析诠释，论证了景德镇青花瓷所代表的东方文化审美品格。 最后是结语。总结并肯定了景德镇青花瓷是东方文化无可替代的象征和组成部分，以及它作为中国文化审美境界的载体，向世界展现出东方文化的玄妙深邃和美丽。 本论题对于青花瓷的研究具有一定的探索意义。 CHAPTER 3 : Explorence the art styles in Ming and Qing, analyzing and interpretation of the both folk Kiln and Official Kiln are Proof the Oriental Aesthetic Value. Finally is the conclusion.It has confirmed that the blue-and-white porcelain in Jingdezhen is a symbol of oriental culture and a irreplaceable component. As carrier of oriental culture, blue-and-white porcelain shows how deep and beautifulit it is. This subject is an exploration on blue-and-white porcelain research.