英文的，要全。谢谢啦
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求 the phantom of the opera 剧本
答案:2 悬赏:40 手机版
解决时间 2021-03-24 13:47
- 提问者网友：疯子也有疯子的情调
- 2021-03-23 18:31
最佳答案
- 五星知识达人网友：低血压的长颈鹿
- 2021-03-23 19:57
Phantom of the Opera
L I B R E T T O
Prologue-The Stage of the Paris Opera, 1911
AUCTIONEER:
Sold. Your number, sir? Thank you.
Lot 663, then, ladies and gentlemen:
a poster for this house's production of "Hannibal" by Chalumeau.
PORTER:
Showing here.
AUCTIONEER:
Do I have ten francs? Five then. Five I am bid.
Six, seven. Against you, sir, seven.
Eight. Eight once. Selling twice.
Sold, to Raoul, Vicomte de Chagny.
Lot 664: a wooden pistol and three human skulls
from the 1831 production of "Robert le Diable" by Meyerbeer.
T en francs for this. Ten, thank you.
Ten francs still. Fifteen, thank you, sir Fifteen I am bid.
Going at fifteen. Your number, sir?
665, ladies and gentlemen:
a papier-mache musical box, in the shape of a barrel-organ.
Attached, the figure of a monkey in Persian robes playing the cymbals.
This item, discovered in the vaults of the theatre, still in working
order.
PORTER:
Showing here.
AUCTIONEER:
May I start at twenty francs? Fifteen, then?
Fifteen I am bid. Sold, for thirty francs to the Vicomte de Chagny.
Thank you, sir.
RAOUL:
A collector's piece indeed . . . every detail exactly as she said . . .
She often spoke of you, my friend ....Your velvet lining, and your
figurine of lead...
Will you still play, when all the rest of us are dead?
AUCTIONEER:
Lot 666, then: a chandelier in pieces.
Some of you may recall the strange affair of the Phantom of the Opera:
a mystery never fully explained.
We are told, ladies and gentlemen,
that this is the very chandelier which figures in the famous disaster.
Our workshops have repaired it and wired parts of it for the new
electric light,
so that we may get a hint of how it may look when reassembled.
Perhaps we may frighten away the ghost of so many years ago
with a little illumination, gentlemen?
Hannibal
CARLOTTA:
This trophy from our saviours, from our saviours!
From the enslaving force of Rome!
GIRL'S CHORUS:
With feasting and dancing and song, tonight in celebration, we greet
the victorious throng, returned to bring salvation!
MEN'S CHORUS:
The trumpets of Carthage resound! Hear, Romans, now and tremble! Hark
to our step on the ground!
ALL:
Hear the drums -- Hannibal comes!
PIANGI:
Sad to return to find the land
we love threatened once more by Roma's far-reaching grasp,
REYER:
Signor . . . if you please: "Rome".
We say "Rome' not "Roma"
PIANGI:
Si, si, Rome, not Roma. Is very hard for me.
LEFEVRE:
This way, gentlemen, this way.
Rehearsals, as you see, are under way, for a new production of
Chalumeau's "Hannibal".
Ladies and gentlemen, some of you may already, perhaps, have met M.
Andre and M. Firmin ...
REYER:
I'm sorry, M. Lefevre, we are rehearsing.
If you wouldn't mind waiting a moment?
LEFEVRE:
My apologies, M. Reyer. Proceed, proceed ...
REYER:
Thank you, monsieur.
"Sad to return..." Signor ...
LEFEVRE:
M. Reyer, our chief repetiteur. Rather a tyrant, I'm afraid.
PIANGI:
Sad to return to find the land we love
threatened once more by Rome's far-reaching grasp.
Tomorrow, we shall break the chains of Rome.
Tonight, rejoice - your army has come home.
LEFEVRE:
Signor Piangi, our principal tenor.
He does play so opposite La Carlotta.
GIRY:
Gentlemen, please! If you would kindly move to one side?
LEFEVRE:
My apologies, Mme. Giry.
Mme. Giry, our ballet mistress.
I don't mind confessing, M. Firmin, I shan't be sorry to be rid of the
whole blessed business.
FIRMIN:
I keep asking you, monsieur, why exactly are you retiring?
LEFEVRE:
We take a particular pride here in the excellence of our ballets.
ANDRE:
Who's that girl, Lefevre?
LEFEVRE:
Her? Meg Giry, Madame Giry's daughter.
Promising dancer, M. Andre, most promising.
GIRY:
You! Christine Daa? Concentrate, girl!
MEG:
Christine . . . What's the matter?
FIRMIN:
Daa? Curious name
LEFEVRE:
Swedish.
ANDRE:
Any relation to the violinist?
LEFEVRE;
His daughter, I believe.
Always has her head in the clouds, I'm afraid.
CHORUS:
Bid welcome to Hannibal's guests -the elephants of Carthage!
As guides on our conquering quests, Dido sends Hannibal's friends!
CARLOTTA:
Once more to my welcoming arms my love returns in splendour!
PIANGI:
Once more to those sweetest of charms my heart and soul surrender!
CHORUS:
The trumpeting elephants sound -- hear, Romans, now and tremble! Hark
to their step on the ground -- hear the drums! Hannibal drums!
LEFEVRE:
Ladies and gentlemen - Madame Giry, thank you - may I have your
attention, please?
As you know, for some weeks there have been rumours of my Imminent
retirement.
I can now tell you that these were all true and it is my pleasure to
introduce to you
the two gentlemen who now own the Opera Populaire, M. Richard Firmin
and M. Gilles Andre.
Gentlemen, Signora Carlotta Giudicelli, our leading soprano for five
seasons now.
ANDRE:
Of course, of course. I have experienced all your greatest roles,
Signora.
LEFEVRE:
And Signor Ubaldo Piangi.
FIRMIN:
An honour, Signor.
太多..发不全啊..你要的话我可以发去你邮箱拉..
L I B R E T T O
Prologue-The Stage of the Paris Opera, 1911
AUCTIONEER:
Sold. Your number, sir? Thank you.
Lot 663, then, ladies and gentlemen:
a poster for this house's production of "Hannibal" by Chalumeau.
PORTER:
Showing here.
AUCTIONEER:
Do I have ten francs? Five then. Five I am bid.
Six, seven. Against you, sir, seven.
Eight. Eight once. Selling twice.
Sold, to Raoul, Vicomte de Chagny.
Lot 664: a wooden pistol and three human skulls
from the 1831 production of "Robert le Diable" by Meyerbeer.
T en francs for this. Ten, thank you.
Ten francs still. Fifteen, thank you, sir Fifteen I am bid.
Going at fifteen. Your number, sir?
665, ladies and gentlemen:
a papier-mache musical box, in the shape of a barrel-organ.
Attached, the figure of a monkey in Persian robes playing the cymbals.
This item, discovered in the vaults of the theatre, still in working
order.
PORTER:
Showing here.
AUCTIONEER:
May I start at twenty francs? Fifteen, then?
Fifteen I am bid. Sold, for thirty francs to the Vicomte de Chagny.
Thank you, sir.
RAOUL:
A collector's piece indeed . . . every detail exactly as she said . . .
She often spoke of you, my friend ....Your velvet lining, and your
figurine of lead...
Will you still play, when all the rest of us are dead?
AUCTIONEER:
Lot 666, then: a chandelier in pieces.
Some of you may recall the strange affair of the Phantom of the Opera:
a mystery never fully explained.
We are told, ladies and gentlemen,
that this is the very chandelier which figures in the famous disaster.
Our workshops have repaired it and wired parts of it for the new
electric light,
so that we may get a hint of how it may look when reassembled.
Perhaps we may frighten away the ghost of so many years ago
with a little illumination, gentlemen?
Hannibal
CARLOTTA:
This trophy from our saviours, from our saviours!
From the enslaving force of Rome!
GIRL'S CHORUS:
With feasting and dancing and song, tonight in celebration, we greet
the victorious throng, returned to bring salvation!
MEN'S CHORUS:
The trumpets of Carthage resound! Hear, Romans, now and tremble! Hark
to our step on the ground!
ALL:
Hear the drums -- Hannibal comes!
PIANGI:
Sad to return to find the land
we love threatened once more by Roma's far-reaching grasp,
REYER:
Signor . . . if you please: "Rome".
We say "Rome' not "Roma"
PIANGI:
Si, si, Rome, not Roma. Is very hard for me.
LEFEVRE:
This way, gentlemen, this way.
Rehearsals, as you see, are under way, for a new production of
Chalumeau's "Hannibal".
Ladies and gentlemen, some of you may already, perhaps, have met M.
Andre and M. Firmin ...
REYER:
I'm sorry, M. Lefevre, we are rehearsing.
If you wouldn't mind waiting a moment?
LEFEVRE:
My apologies, M. Reyer. Proceed, proceed ...
REYER:
Thank you, monsieur.
"Sad to return..." Signor ...
LEFEVRE:
M. Reyer, our chief repetiteur. Rather a tyrant, I'm afraid.
PIANGI:
Sad to return to find the land we love
threatened once more by Rome's far-reaching grasp.
Tomorrow, we shall break the chains of Rome.
Tonight, rejoice - your army has come home.
LEFEVRE:
Signor Piangi, our principal tenor.
He does play so opposite La Carlotta.
GIRY:
Gentlemen, please! If you would kindly move to one side?
LEFEVRE:
My apologies, Mme. Giry.
Mme. Giry, our ballet mistress.
I don't mind confessing, M. Firmin, I shan't be sorry to be rid of the
whole blessed business.
FIRMIN:
I keep asking you, monsieur, why exactly are you retiring?
LEFEVRE:
We take a particular pride here in the excellence of our ballets.
ANDRE:
Who's that girl, Lefevre?
LEFEVRE:
Her? Meg Giry, Madame Giry's daughter.
Promising dancer, M. Andre, most promising.
GIRY:
You! Christine Daa? Concentrate, girl!
MEG:
Christine . . . What's the matter?
FIRMIN:
Daa? Curious name
LEFEVRE:
Swedish.
ANDRE:
Any relation to the violinist?
LEFEVRE;
His daughter, I believe.
Always has her head in the clouds, I'm afraid.
CHORUS:
Bid welcome to Hannibal's guests -the elephants of Carthage!
As guides on our conquering quests, Dido sends Hannibal's friends!
CARLOTTA:
Once more to my welcoming arms my love returns in splendour!
PIANGI:
Once more to those sweetest of charms my heart and soul surrender!
CHORUS:
The trumpeting elephants sound -- hear, Romans, now and tremble! Hark
to their step on the ground -- hear the drums! Hannibal drums!
LEFEVRE:
Ladies and gentlemen - Madame Giry, thank you - may I have your
attention, please?
As you know, for some weeks there have been rumours of my Imminent
retirement.
I can now tell you that these were all true and it is my pleasure to
introduce to you
the two gentlemen who now own the Opera Populaire, M. Richard Firmin
and M. Gilles Andre.
Gentlemen, Signora Carlotta Giudicelli, our leading soprano for five
seasons now.
ANDRE:
Of course, of course. I have experienced all your greatest roles,
Signora.
LEFEVRE:
And Signor Ubaldo Piangi.
FIRMIN:
An honour, Signor.
太多..发不全啊..你要的话我可以发去你邮箱拉..
全部回答
- 1楼网友：骨子里都是戏
- 2021-03-23 20:02
楼上的我也见过，但是并不全啊，您不觉得吗，和音乐剧的比较
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