求Simom J. Ortiz的《My Father's Song》的诗歌鉴赏!谢谢!
答案:6 悬赏:40 手机版
解决时间 2021-11-14 20:35
- 提问者网友:佞臣
- 2021-11-14 13:49
求Simom J. Ortiz的《My Father's Song》的诗歌鉴赏!谢谢!
最佳答案
- 五星知识达人网友:逃夭
- 2021-11-14 14:08
我也是广外的!看不懂啊看不懂!! 其实我想说,后半部分的mice关song什么事?没有听课的人伤不起啊!
My Father’s Song
Wanting to say things,
I miss my father tonight.
His voice, the silent catch,
The depth from his thin chest,
The tremble of emotion
In something he has just said
To his son, his song:
We planted corn one Spring at Acu-
we planted several times
but this one particular time
I remember the soft damp sand
In my hand
My father had stopped at one point
to show me an over turned furrow;
the plowshare had unearthed
the burrow nest of a mouse
in the soft moist sand.
Very gently, he scooped up tiny pink animals
Into the palm of his hand
and told me to touch them.
We took them to the edge
of the field and put them in the shade
of a sand moist clod.
I remember the very softness
of cool and warm sand and tiny alive mice
and my father saying things.
贴个原文等高手
My Father’s Song
Wanting to say things,
I miss my father tonight.
His voice, the silent catch,
The depth from his thin chest,
The tremble of emotion
In something he has just said
To his son, his song:
We planted corn one Spring at Acu-
we planted several times
but this one particular time
I remember the soft damp sand
In my hand
My father had stopped at one point
to show me an over turned furrow;
the plowshare had unearthed
the burrow nest of a mouse
in the soft moist sand.
Very gently, he scooped up tiny pink animals
Into the palm of his hand
and told me to touch them.
We took them to the edge
of the field and put them in the shade
of a sand moist clod.
I remember the very softness
of cool and warm sand and tiny alive mice
and my father saying things.
贴个原文等高手
全部回答
- 1楼网友:一袍清酒付
- 2021-11-14 19:20
我也想知道上年考啥了!!!!!!!!!!
为了下年的孩子不要遭殃,特地上来告诉你们,今年考了 I wandered lonely as a could~~~
为了下年的孩子不要遭殃,特地上来告诉你们,今年考了 I wandered lonely as a could~~~
- 2楼网友:逃夭
- 2021-11-14 19:01
Wanting to say things, I miss my father tonight. His voice, the silent catch, the depth from his thin chest, the tremble of emotion in something he has just said to his son, his song:
We planted corn one Spring at Acu— we planted several times But this one particular time I remember the soft damp sand in my hand.
My father had stopped at one point to show me an overturned furrow; the plowshare had unearthed the burrow nest of a mouse in the soft moist sand.
Very gently, he scooped tiny pink animals into the palm of his hand and told me to touch them. We took them to the edge
of the field and put them in the shade of a sand moist clod.
I remember the very softness
of cool and warm sand and tiny alive mice and my father saying things.
We planted corn one Spring at Acu— we planted several times But this one particular time I remember the soft damp sand in my hand.
My father had stopped at one point to show me an overturned furrow; the plowshare had unearthed the burrow nest of a mouse in the soft moist sand.
Very gently, he scooped tiny pink animals into the palm of his hand and told me to touch them. We took them to the edge
of the field and put them in the shade of a sand moist clod.
I remember the very softness
of cool and warm sand and tiny alive mice and my father saying things.
- 3楼网友:一把行者刀
- 2021-11-14 17:26
I have heard so many songs
我听过许多歌
Listened to a thousand tongues
听过千百种语言的歌
But there is one
That sounds above them all
但是这是一首超越了全部的歌曲
The Father's song
这是父亲的歌
The Father's love
这是父亲的爱
You sung it over me and for eternity
你的歌声温柔的抚摸我直到永远
It's written on my heart
这是写在我心上的歌
CHORUS:
Heaven's perfect melody
这是天堂的完美曲调
The Creator's symphony
这是造物主的交响曲
You are singing over me
这是你对我唱的歌曲
The Father's song
父亲的歌
Heaven's perfect mystery
幸福的完美秘密
The king of love has sent for me
将最至高无上的爱给了我
And now you're singing over me
The Father's song
现在你对我唱着 这父亲的歌
I have heard so many songs
我听过许多的歌
Listened to a thousand tongues
听过千百种语言的歌
But there is one
That sounds above them all
但是这是一首超越了全部的歌
[Sounds above them all]
超过了全部的歌声
The Father's song
这是父亲的歌
The Father's love
这是父亲的爱
You sung it over me and for eternity
你的歌温柔的抚摸我直到永远
It's written on my heart
这是一首写在我心上的歌
CHORUS
It's Heaven's perfect mystery
这是天堂的完美之谜
The king of love has sent for me
将至高无上的爱给了我
And now you're singing over me
现在你对我唱着
The Father's song
父亲的歌
The Father's song
父亲的歌
The Father's love
父亲的爱
You sung it over me and for eternity
你的歌声温柔的抚摸我直到永远
It's written on my heart
这是写在我心上的歌
[It's written on my heart]
写在我心上的歌
The Father's song
父亲的歌
The Father's love
父亲的爱
You sung it over me and for eternity
你的歌声温柔的抚 摸我直到永恒
It's written on my heart
It's written on my heart
这是写在我心上的歌
这是写在我心上的歌
You sing it over me
Father 你的歌声是我的守护者父亲
我听过许多歌
Listened to a thousand tongues
听过千百种语言的歌
But there is one
That sounds above them all
但是这是一首超越了全部的歌曲
The Father's song
这是父亲的歌
The Father's love
这是父亲的爱
You sung it over me and for eternity
你的歌声温柔的抚摸我直到永远
It's written on my heart
这是写在我心上的歌
CHORUS:
Heaven's perfect melody
这是天堂的完美曲调
The Creator's symphony
这是造物主的交响曲
You are singing over me
这是你对我唱的歌曲
The Father's song
父亲的歌
Heaven's perfect mystery
幸福的完美秘密
The king of love has sent for me
将最至高无上的爱给了我
And now you're singing over me
The Father's song
现在你对我唱着 这父亲的歌
I have heard so many songs
我听过许多的歌
Listened to a thousand tongues
听过千百种语言的歌
But there is one
That sounds above them all
但是这是一首超越了全部的歌
[Sounds above them all]
超过了全部的歌声
The Father's song
这是父亲的歌
The Father's love
这是父亲的爱
You sung it over me and for eternity
你的歌温柔的抚摸我直到永远
It's written on my heart
这是一首写在我心上的歌
CHORUS
It's Heaven's perfect mystery
这是天堂的完美之谜
The king of love has sent for me
将至高无上的爱给了我
And now you're singing over me
现在你对我唱着
The Father's song
父亲的歌
The Father's song
父亲的歌
The Father's love
父亲的爱
You sung it over me and for eternity
你的歌声温柔的抚摸我直到永远
It's written on my heart
这是写在我心上的歌
[It's written on my heart]
写在我心上的歌
The Father's song
父亲的歌
The Father's love
父亲的爱
You sung it over me and for eternity
你的歌声温柔的抚 摸我直到永恒
It's written on my heart
It's written on my heart
这是写在我心上的歌
这是写在我心上的歌
You sing it over me
Father 你的歌声是我的守护者父亲
- 4楼网友:痴妹与他
- 2021-11-14 16:18
我叫红领巾!!
My Father's Song: Introduction
PrintPDFCiteShare.Ortiz’s poetry first appeared in 1969 in the South Dakota Review’s special Indian issue, “The American Indian Speaks.” Since that time, Ortiz has been critically acclaimed as among the best of the contemporary Native-American poets, a recognition that extends to Indian circles. While the Native- American oral tradition, which includes song and prayer, has generally been unchronicled, contemporary American Indians such as Ortiz are creating a canon of prose and poetry that draws on this tradition.
Ortiz’s poetry, including “My Father’s Song,” which was first published in 1976 in Going for the Rain, is strongly narrative. Ortiz has defended his style, stating, “Indians always tell a story. The only way to continue is to tell a story.” This particular poem “continues” by remembering a moment in which his father passed on to him the reverence for the earth and for its living creatures. The language is deceptively simple and conversational, presenting images with full significance. Ortiz has said, “I try to listen to the voices of the people back home and use their sounds to direct my composition.” The impulse for “My Father’s Song” is the desire to hear his father’s voice, engendered by his own need to “say things.” In addition to this active practice of the oral traditions of his people and the basic philosophy they represent, Ortiz works to present in his poetry the specifics of his life as a Native American in such a way that the poems can achieve a more universal significance. In other words, the value of his poetry is not in presenting the life of the Native American as a cultural artifact, but in presenting the life of the Native American as one version of a contemporary American life.
My Father's Song Summary
Lines 1–6
It seems at first that the speaker is missing his father because he expresses a wish to say things to him. However, in line 3, it becomes apparent that it is his father’s voice the son misses. He remembers it as a physical thing coming from his father’s body. His father’s voice becomes through the image of his “chest” a solid physical entity stronger than that “thin chest.”
Line 7
This line provides a powerful transition between the two stanzas. The father’s voice in the first stanza is speaking to his son, and what is to follow is the persona’s “song” to his father, the poem that tells the story developed out of the memories. The two words, however, “son” and “song,” by their closeness to one another in sound and sight, communicate that the persona himself understands that he is, in a way, his father’s “song” by being his “son.”
Lines 8–10
The storytelling technique of repetition functions in an almost incantatory fashion here to lead readers into a place where memory is real. Lines 8 and 9 both begin “We planted,” and lines 9 and 10 play on the word “time.”
It is characteristic of the oral storytelling mode that the teller talk his or her way into the tale, not leaving out the steps to getting there. Western storytelling, in contrast, generally values a more finished story product. Readers follow the persona in this poem through the general statement of line 8, to an explanation that this planting was one of many plantings, finally closing in on the one particular story or memory he wants to relate.
Lines 11–12
There is a digression here, as there often is in... » Complete My Father's Song Summary
My Father's Song: Introduction
PrintPDFCiteShare.Ortiz’s poetry first appeared in 1969 in the South Dakota Review’s special Indian issue, “The American Indian Speaks.” Since that time, Ortiz has been critically acclaimed as among the best of the contemporary Native-American poets, a recognition that extends to Indian circles. While the Native- American oral tradition, which includes song and prayer, has generally been unchronicled, contemporary American Indians such as Ortiz are creating a canon of prose and poetry that draws on this tradition.
Ortiz’s poetry, including “My Father’s Song,” which was first published in 1976 in Going for the Rain, is strongly narrative. Ortiz has defended his style, stating, “Indians always tell a story. The only way to continue is to tell a story.” This particular poem “continues” by remembering a moment in which his father passed on to him the reverence for the earth and for its living creatures. The language is deceptively simple and conversational, presenting images with full significance. Ortiz has said, “I try to listen to the voices of the people back home and use their sounds to direct my composition.” The impulse for “My Father’s Song” is the desire to hear his father’s voice, engendered by his own need to “say things.” In addition to this active practice of the oral traditions of his people and the basic philosophy they represent, Ortiz works to present in his poetry the specifics of his life as a Native American in such a way that the poems can achieve a more universal significance. In other words, the value of his poetry is not in presenting the life of the Native American as a cultural artifact, but in presenting the life of the Native American as one version of a contemporary American life.
My Father's Song Summary
Lines 1–6
It seems at first that the speaker is missing his father because he expresses a wish to say things to him. However, in line 3, it becomes apparent that it is his father’s voice the son misses. He remembers it as a physical thing coming from his father’s body. His father’s voice becomes through the image of his “chest” a solid physical entity stronger than that “thin chest.”
Line 7
This line provides a powerful transition between the two stanzas. The father’s voice in the first stanza is speaking to his son, and what is to follow is the persona’s “song” to his father, the poem that tells the story developed out of the memories. The two words, however, “son” and “song,” by their closeness to one another in sound and sight, communicate that the persona himself understands that he is, in a way, his father’s “song” by being his “son.”
Lines 8–10
The storytelling technique of repetition functions in an almost incantatory fashion here to lead readers into a place where memory is real. Lines 8 and 9 both begin “We planted,” and lines 9 and 10 play on the word “time.”
It is characteristic of the oral storytelling mode that the teller talk his or her way into the tale, not leaving out the steps to getting there. Western storytelling, in contrast, generally values a more finished story product. Readers follow the persona in this poem through the general statement of line 8, to an explanation that this planting was one of many plantings, finally closing in on the one particular story or memory he wants to relate.
Lines 11–12
There is a digression here, as there often is in... » Complete My Father's Song Summary
- 5楼网友:大漠
- 2021-11-14 15:05
题目:No.9 My Father's Song
原文:
Wanting to say things,
I miss my father tonight.
His voice, the silent catch,
the depth from his thin chest,
the tremble of emotion
in something he has just said
to his son, his song:
We planted corn one Spring at Acu
—
we planted several times
But this one particular time
I remember the soft damp sand
in my hand
My father had stopped at one point
to show me an overturned furrow;
the plowshare had unearthed
the burrow nest of a mouse
in the soft moist sand.
Very gently, he scooped tiny pink animals
into the palm of his hand
and told me to touch them.
We took them to the edge
of the field and put them in the shade
of a sand moist clod
I remember the very softness
of cool and warm sand and tiny alive mice
and my father saying things. //
背景
类
Compare & Contrast
1970s:
The Indian unemployment rate is 10 times the national average, and 40 percent
of the Native- American population live below the poverty line.
Today:
Half the total Native-American workforce remains unemployed, and nearly
one-third live in poverty compared to 13 percent of the total U.S. population.
1970s:
Native-American life ex
pectancy is just 44 years, a third less than that of the
average American.
Today:
Life ex
pectancy for Native Americans remains virtually unchanged.
词汇表:
1、damp sand湿砂
furrow 犁沟
plowshare犁头、犁刃
2、burrow(兔、狐等的)洞穴,地道;藏身处,住处
moist潮湿的;多雨的
3、scoopvt. 掘;舀取;抢先获得;搜集
关键词
:
Kind of the nature; love life; treasured life;
Father through his actions to teach his son the philosophy
Theme
Phrases such as "actions speak louder than words" highlight the notion that to be
credible language must be accompanied by corresponding behavior. Ortiz's poem
underscores this point. Although the speaker opens the poem by saying that he
misses his father's voice, he does not say that he misses what
his father says. Rather,Ortiz emphasizes the physical qualities of voice such as "theslight catch" and "the tremble of emotion" when his father speaks. What he really misses is his father's presence, the way in which he interacted with him. By describing his memory of hs father showing him the overturned
furrow and placing newborn
mice in his hands,
Ortiz highlights behavior, not words.
Style
"My Father's Song" takes the shape of a simple first person childhood memory story.
It is structured into five stanzas of varying length. The syntax is conversational, with
the punctuation simply marking pauses and stops.
Critical Overview
Andrea-Bess Baxter extols the 1991 publication of
Woven Stone
, which includes "My
Father's Song," as "a testament to Simon Ortiz's influential career." Bax
ter
emphasizes the importance of this volume as a collection of previously published
poetic works that "use oral histories, narratives, and stories" and are based on
"memories of a traditional upbringing at Acoma Pueblo, New Mex
ico," intertwined with
contemporary ex
periences. She notes Ortiz's clear commitment to "native survival and
endurance," but contends that "Ortiz's gift lies in making us aware of our own
personal responsibility." This manifests itself powerfully in the simple story told in "My
Father's Song."
Many critics see Ortiz's work as part of a contemporary Native-American renaissance.
Ortiz himself has suggested that such a critical evaluation denies the ongoing oral
tradition intrinsic to Native-American culture. In "My Father's Song," poet Simon J. Ortiz accomplishes a very difficult task. The poem manages to render a nonverbal ex
perience in printed words. This is something
希望能帮到你,谢谢。
原文:
Wanting to say things,
I miss my father tonight.
His voice, the silent catch,
the depth from his thin chest,
the tremble of emotion
in something he has just said
to his son, his song:
We planted corn one Spring at Acu
—
we planted several times
But this one particular time
I remember the soft damp sand
in my hand
My father had stopped at one point
to show me an overturned furrow;
the plowshare had unearthed
the burrow nest of a mouse
in the soft moist sand.
Very gently, he scooped tiny pink animals
into the palm of his hand
and told me to touch them.
We took them to the edge
of the field and put them in the shade
of a sand moist clod
I remember the very softness
of cool and warm sand and tiny alive mice
and my father saying things. //
背景
类
Compare & Contrast
1970s:
The Indian unemployment rate is 10 times the national average, and 40 percent
of the Native- American population live below the poverty line.
Today:
Half the total Native-American workforce remains unemployed, and nearly
one-third live in poverty compared to 13 percent of the total U.S. population.
1970s:
Native-American life ex
pectancy is just 44 years, a third less than that of the
average American.
Today:
Life ex
pectancy for Native Americans remains virtually unchanged.
词汇表:
1、damp sand湿砂
furrow 犁沟
plowshare犁头、犁刃
2、burrow(兔、狐等的)洞穴,地道;藏身处,住处
moist潮湿的;多雨的
3、scoopvt. 掘;舀取;抢先获得;搜集
关键词
:
Kind of the nature; love life; treasured life;
Father through his actions to teach his son the philosophy
Theme
Phrases such as "actions speak louder than words" highlight the notion that to be
credible language must be accompanied by corresponding behavior. Ortiz's poem
underscores this point. Although the speaker opens the poem by saying that he
misses his father's voice, he does not say that he misses what
his father says. Rather,Ortiz emphasizes the physical qualities of voice such as "theslight catch" and "the tremble of emotion" when his father speaks. What he really misses is his father's presence, the way in which he interacted with him. By describing his memory of hs father showing him the overturned
furrow and placing newborn
mice in his hands,
Ortiz highlights behavior, not words.
Style
"My Father's Song" takes the shape of a simple first person childhood memory story.
It is structured into five stanzas of varying length. The syntax is conversational, with
the punctuation simply marking pauses and stops.
Critical Overview
Andrea-Bess Baxter extols the 1991 publication of
Woven Stone
, which includes "My
Father's Song," as "a testament to Simon Ortiz's influential career." Bax
ter
emphasizes the importance of this volume as a collection of previously published
poetic works that "use oral histories, narratives, and stories" and are based on
"memories of a traditional upbringing at Acoma Pueblo, New Mex
ico," intertwined with
contemporary ex
periences. She notes Ortiz's clear commitment to "native survival and
endurance," but contends that "Ortiz's gift lies in making us aware of our own
personal responsibility." This manifests itself powerfully in the simple story told in "My
Father's Song."
Many critics see Ortiz's work as part of a contemporary Native-American renaissance.
Ortiz himself has suggested that such a critical evaluation denies the ongoing oral
tradition intrinsic to Native-American culture. In "My Father's Song," poet Simon J. Ortiz accomplishes a very difficult task. The poem manages to render a nonverbal ex
perience in printed words. This is something
希望能帮到你,谢谢。
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